2001
Victoria and Tasmania State Awards
Tecton
Projects, Hobart City Council
Beaumaris
Zoo Entry Gates
Merit
Client:
Hobart City Council
Jury Comments
The task of identifying the historic significance of the site
to the passing public, whilst maintaining the site as a secure enclosure,
was a challenging one, given a $26,000 budget and a 6 month timeframe
from inception to installation.
With
this background in mind, Tecton achieved a high degree of excellence
in the presentation of the site and its inherent poignancy. The landscape
architect is to be commended for leading and managing a team to achieve
a unified whole, the detail of which is well resolved, beautifully
presented and touching in its content.
The
team included acclaimed artist, Patrick Hall, noted graphic designer
Lynda Warner and 'wordsmith' Chris Viney.
The
landscape architect is to be commended for leading such a team.
The
outcome is particularly admirable for its achievement within an extremely
small budget. For those of us who are budget or timeframe challenged,
the work of Tecton Projects at Beaumaris Zoo serves as a touchstone
for what can be achieved through combined talent, inspiration and
will.
The
Beaumaris Zoo on the Queens Domain, Hobart is the site where the
last Tasmanian tiger (Thylacinus cynocepalus) died in captivity,
a fact which is a reflection on the times and on the nature of zoo
keeping early last century. Today the site is derelict and contaminated
as a result of later use by the military for fuel storage.
A
collaborative team of allied professionals including a graphic
designer, sculptor/artist and interpreter/wordsmith contributed
to the design and documentation of the project, and the project
was, aptly, opened on World Threatened Species Day, September 9,
2000.
The
project communicates stories about the history of the site to the
passing public, and also secures the site against unauthorised
access and looting. The context is English picturesque, the local
landscape includes Botanical Gardens, Government House and Queens
Domain. The gates, whilst being vandal resistant and difficult
to climb, respect the context and are visually penetrable to allow
free views into the site.
The
long-term vision for the site is to house a sculpture park, providing
opportunities for various Tasmanian artists to become involved
in future events. In this guise, the park, which once fulfilled
an important public role, will again be a site for cultural life
in Tasmania.